By attempting to cram in every last detail of the book, Chamber of Secrets ended up being overly long and frequently tedious. He is at his most basic level a bean-counter, someone who directs with an eye on the box office rather than the storytelling, and who will purposefully compromise the finished product to avoid the wrath of fans. For all the times that Branagh has slipped up, and all the complaints I have lodged against Sherlock in recent times, Columbus has never come close to matching their talents or aspirations. Unfortunately, while their intentions may be similar, that is where the comparison ends as far as Percy Jackson is concerned. These stories are to be respected, but they have to earn that respect by being brought to life in a compelling and imaginative way. But equally, the creative parties recognise that young people will not fall in love with these stories purely on the basis of their reputations: they have to be told these stories in a way which resonates with the world in which they find themselves. In each case, the creative forces behind the projects recognise the hardy nature of the tales they are telling: the Greek Myths are as indelible and influential a force on our culture as Sherlock Holmes, Shakespeare or Count Dracula. From this point of view the film is attempting the very same thing that Mark Gatiss and Stephen Moffat attempted with Sherlock, or that Kenneth Branagh was doing when he made his great Shakespeare adaptations. However good or bad its execution, it deserves some credit for attempting a noble task, namely trying to repackage the classic Greek Myths to inspire a new generation. There's no denying that Percy Jackson and the Lightning Thief comes at you with the very best intentions.
One could almost view his involvement here as a form of regret, trying to atone for what he sees as a mistake (though almost no-one else shares his view).
PERCY JACKSON THE LIGHTNING THIEF FULL MOVIE FREE DOWNLOAD SERIES
While the Potter series really took off after Alfonso Cuarón took over the reins, Columbus has since failed to replicate his earlier successes, turning in embarrasing failures like Rent and I Love You, Beth Cooper. This comparison becomes all the more inevitable by the involvement of Chris Columbus, who directed the first two Potter films (Philosopher's Stone and Chamber of Secrets) before transitioning into a production role on Prisoner of Azkaban. Without their success, Jennifer Lawrence might still be a nobody. Whatever you may think of them, both Harry Potter and Twilight demonstrated the commercial mileage in teenage/ young adult fantasy films their consistent commercial success resulted in the likes of Percy Jackson and The Hunger Games being brought to our screens. No matter how popular the source materials may be among teenage audiences, there is a strong argument that this film would not have been made without the financial success of the Potter franchise. Try as we might, there's no getting around the comparison between Percy Jackson and Harry Potter. But despite any admiration for the story's intentions and its interesting nods to Greek mythology, the Lightning Thief is ultimately mediocre. Its release date was clearly timed to plug the gap between Potter films, giving teenage fantasy fans something to snack on in between meals. At the time of its release, the Harry Potter series was winding down, with Deathly Hallows Part I in production and Part II not being far behind. We find ourselves in a similar situation with Percy Jackson. Crucially, while the quality of these films varies, none of them quite come close to the series that blazed the trail.
The fantasy genre has been rife with this in recent years, with the huge success of The Lord of the Rings prompting new adaptations of The Chronicles of Narnia as well as smaller works like Stardust and Eragon.
Once a film franchise has established itself, other similar franchises often follow it, haging on the coattails of its success and trying to cash in by appealing to the same audience.
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